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Rruga
ECM Records
2011
As much as many artists have a clear idea of where they are and where they're going, there's no denying the value of a strong producer. Colin Vallon's first two trio discs—2004's Les Ombres, on the small Swiss NotsiNOISY label, and 2007's Ailleurs, on the more widely distributed Hatology label—both demonstrated plenty of promise, albeit in contexts where it seemed as though the young Swiss pianist was like a kid in a stylistic candy store. Vallon's classical background clearly informed the music, but so, too, did an allegiance to the American tradition, through
1932 - 2016
piano
b.1945
piano
Colin Vallon
Manfred Eicher has brought to hundred of jazz sessions over the last four decades.Not that Vallon and his trio—which includes percussionist
Colin Vallon Le Vent
Susanne Abbuehl on her label debut, the stunning April (2001)—are lacking in direction, but their first recording for ECM has a greater sense of unity, a more consolidated voice that also speaks to the trio's greater longevity, with Rruga reuniting the same lineup as on Ailleurs, also featuring bassist Patrice Moret, a participant on reed man Domenic Landolf's similarly empathic New Brighton (Pirouet, 2010).The greater unity of Rruga is all the more curious for its fundamental shift in compositional input. Vallon remains its titular leader, but Rruga is the first to introduce writing from his trio mates. Rohrer contributes three tunes: 'Polygonia,' where a brooding intro leads to a moment of absolute silence, the trio emerging, like soft rays of sunshine with a stronger allegiance to time, and Vallon and Moret equal thematic partners; the simmering 'Noreia,' its gentle song form and intrinsic lyricism driven by a pulse from Vallon's left hand and Rohrer's consummate balance of timbre and tempo; and the closing 'Epilog,' with Moret's softly spoken bass intro foreshadowing its melancholy melody, dark-hewn by Vallon's languid but note-perfect performance.
From left: Colin Vallon, Patrice Moret, Samuel Rohrer
Vallon's title track—and its later variation—ebb and flow with a series of changes; materializing with dynamic movement, but avoiding the melodrama towards which such elemental melodism often leads in lesser hands. 'Eyjayjallajökull' is an exercise in stasis, free expression and tonal experimentation, while 'Meral' is more direct, though never approaching obvious virtuosity; instead, it's in Vallon's chiming outro, that it becomes clear how he, along with his trio mates, places greater emphasis on exploration of sound and service of song, rather than any kind of coarse, overt impression.
ECM has always held a special place for the piano trio, and its rich catalogue has successfully managed to avoid the trappings that stifle so many of this staple jazz format. Instead, its roster—the past twelve months seeing compelling and unmistakably different titles from
b.1970
piano
b.1975
piano
Tracks: Telepathy; Rruga; Home; Polygonia; Eyjayjallajökull; Meral; Iskar; Noreia; Rruga, var.; Fjord; Epilog.
Personnel: Colin Vallon: piano; Patrice Moret: double-bass; Samuel Rohrer: drums.
Photo Credit
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b.1980
piano
Title: Colin Vallon Trio: Rruga Year Released: 2011 Record Label: ECM Records
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About Colin Vallon
Album Reviews
- Danse by Angelo Leonardi
- Danse by Karl Ackermann
- Le Vent by Hrayr Attarian
- Le Vent by Neri Pollastri
- Le Vent by John Kelman
- Rruga by Dan McClenaghan
Live Reviews
Extended Analysis
Album Reviews
- Rruga by AAJ Italy Staff
Take Five With..
Album Reviews
- Thirty Six Ghosts by AAJ Italy Staff
- Ailleurs by Glenn Astarita
Le Vent
ECM Records
2015
Colin Vallon Trio:..
ECM Records
2011
Thirty Six Ghosts
Clean Feed Records
2010
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